从历代名画中观中国画艺术之灵魂

2019-03-05 11:33

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标签：名画国画艺术

苏轼曾在《东坡志林》中说，“味摩诘之诗，诗中有画；观摩诘之画，画中有诗。”对王维的诗艺意境作了很好的总结。其中的“画中有诗”，可谓是意境在艺术中的最好呈现!每个中国画都有其艺术性，而艺术性中的灵魂就是要体现出意境美。因此，探究中国画的意境美具有现实意义。历代名家作品的意境之美

从历代名画中观中国画艺术之灵魂

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石家庄街头的迎春花进入盛花期

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                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CL78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CL78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CL78S40415NOS.jpg",
                   "osize": {},
                   "title": "北宋范宽《溪山行旅图》",
                   "note": "范宽深入山川，长居华山、终南山等山林之中，并对景造意，将崇山峻岭的雄强气势和老树密林的荒寒景色生动地现于笔下，创造了中国山水画的高峰。其山水画构图的复杂与高妙、意境的深远与神秘、山水的气魄与气势、通篇的气韵、用笔的古朴与骨气均达到了后人很难超越的境界。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2CM78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CM78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CM78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CM78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CM78S40415NOS.jpg",
                   "osize": {},
                   "title": "北宋范宽《临流独坐图》",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2CN78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CN78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CN78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CN78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CN78S40415NOS.jpg",
                   "osize": {},
                   "title": "北宋范宽《雪景寒林图》",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2CO78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CO78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CO78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CO78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CO78S40415NOS.jpg",
                   "osize": {},
                   "title": "元 黄公望 丹崖玉树图故宫博物院藏",
                   "note": "【元代】到了元代，以“元四家”为代表的重写心、写意，强调自我、超脱的画风，体现了另一种中国画意境。突出了山水画的文学趣味，使诗、书、画有意识地融为一体，各具风貌，开创了一代新风，形成了以“文人画”为主流的山水画派。元四家中，以黄公望年龄最长，并直接聆受赵孟頫的教导，又开始寄画以乐的门径，故列为四家之冠。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2CP78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CP78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CP78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CP78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CP78S40415NOS.jpg",
                   "osize": {},
                   "title": "元 黄公望 九峰雪霁图故宫博物院藏",
                   "note": "一度曾以卖卜为生。后参加了主张儒、释、道三教合一的全真教，更加看破红尘。长期浪迹山川，经常观察山水的朝暮变幻的奇丽景色，得之于心，运之于笔。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2CQ78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CQ78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CQ78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CQ78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CQ78S40415NOS.jpg",
                   "osize": {},
                   "title": "元 黄公望 天池石壁图故宫博物院藏",
                   "note": "擅于以清润的笔墨、简远的意境，把浩渺连绵的江南山水表现得淋漓尽致，达到“山川浑厚，草木华滋”的境界。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2CR78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CR78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CR78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CR78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CR78S40415NOS.jpg",
                   "osize": {},
                   "title": "元 吴镇 溪山高隐图",
                   "note": "吴镇性孤介，一生清贫，曾在村塾教书、并卖卜于武林等地。但他博学多识，工书法，善草书，能诗文，绘画善水墨山水画，师法巨然，用长披麻皴，兼以斧劈，笔力劲爽，墨气淋漓，写出山川林木峥嵘繁茂之景，改变了巨然“淡墨轻岚”的风格。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2CS78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CS78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CS78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CS78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CS78S40415NOS.jpg",
                   "osize": {},
                   "title": "元 吴镇 渔父图轴",
                   "note": "他的画善用老笔湿墨，笔力雄劲，墨气沉厚，题咏诗文较多。画墨竹笔意豪宕，生意满纸;画古木、怪石挺劲有力。明清两代书画家均受他很大影响。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2CT78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CT78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CT78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CT78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CT78S40415NOS.jpg",
                   "osize": {},
                   "title": "元 倪瓒 《渔庄秋霁图》",
                   "note": "倪瓒家富，博学好古，四方名士常至其门。元顺帝至正初忽散尽家财，浪迹太湖一带。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2CU78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CU78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CU78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CU78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CU78S40415NOS.jpg",
                   "osize": {},
                   "title": "元 倪瓒 《虞山林壑图》",
                   "note": "倪瓒擅画山水、墨竹，师法董源，受赵孟頫影响。早年画风清润，晚年变法，平淡天真。疏林坡岸，幽秀旷逸，笔简意远，惜墨如金。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2CV78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CV78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CV78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CV78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2CV78S40415NOS.jpg",
                   "osize": {},
                   "title": "元 倪瓒 《秋亭嘉树图》",
                   "note": "以侧锋干笔作皴，名为“折带皴”。墨竹偃仰有姿，寥寥数笔，逸气横生。书法从隶入，有晋人风度，亦擅诗文。倪瓒崇尚淡逸的生活，由此形成了天真幽淡的画风。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2D078S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D078S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D078S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D078S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D078S40415NOS.jpg",
                   "osize": {},
                   "title": "夏山高隐图 故宫博物院藏",
                   "note": "王蒙，元四家中最年轻者。于元朝末年曾入仕，后来弃官隐居于今浙江馀杭黄鹤山达30年，自号黄鹤山樵。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2D178S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D178S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D178S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D178S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D178S40415NOS.jpg",
                   "osize": {},
                   "title": "葛稚川移居图 故宫博物院藏",
                   "note": "王蒙自幼受外祖父赵孟頫的影响，喜好绘画，后来得到黄公望的指教，又常与倪瓒等人切磋，对山水画有独到的创新，发明了解索皴画法，用解索皴和渴墨点苔，表现林峦郁茂苍茫的气氛，为他的独到处。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2D278S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D278S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D278S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D278S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D278S40415NOS.jpg",
                   "osize": {},
                   "title": "清 四僧 禅意山水",
                   "note": "【明、清】“明四家”和“清四僧”等也都受到很大影响，因而，诗画结合的追求最终也成了文人画所追求的一个突出意境。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2D378S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D378S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D378S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D378S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D378S40415NOS.jpg",
                   "osize": {},
                   "title": "桃源胜境",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2D478S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D478S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D478S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D478S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D478S40415NOS.jpg",
                   "osize": {},
                   "title": "文徵明 秋江饯别图 立轴",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2D578S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D578S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D578S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D578S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D578S40415NOS.jpg",
                   "osize": {},
                   "title": "唐寅《落霞孤鹜》",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2D678S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D678S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D678S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D678S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D678S40415NOS.jpg",
                   "osize": {},
                   "title": "仇英 山水",
                   "note": "清“四僧”对于水墨诗境禅意的探究，将写意画融诗、书、印为一体，成为综合性意象艺术，使其在有限的笔墨中蕴藏着无限的精神含量，写意绘画以身心俱遗，物我两忘，天人合一为最高境界，深刻体现了中国儒、释、道哲学的精华。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2D778S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D778S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D778S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D778S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D778S40415NOS.jpg",
                   "osize": {},
                   "title": "八大山人《荷花水鸟图》轴",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2D878S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D878S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D878S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D878S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D878S40415NOS.jpg",
                   "osize": {},
                   "title": "弘仁《墨梅图》轴",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2D978S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D978S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D978S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D978S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2D978S40415NOS.jpg",
                   "osize": {},
                   "title": "清髡残 《人物图页》",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2DA78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DA78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DA78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DA78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DA78S40415NOS.jpg",
                   "osize": {},
                   "title": "石涛 《罗汉百开册页》(部分)",
                   "note": "清朝蒙古族画家、理论家布颜图所说的境界是:“因地成形，移步换影，千奇万状”。在他看来，意境也就是如何处理峰峦、岛屿、眉黛遥岭、巨浪洪涛、平溪浅濑、茂树浓阴、疏林淡影等等画面。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2DB78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DB78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DB78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DB78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DB78S40415NOS.jpg",
                   "osize": {},
                   "title": "清 布颜图 《山口捕渔》",
                   "note": "有的画家，即使在一幅画中，对于空间境象没有给以实际的描绘，却能使人引起间接的对境象丰富的联想，也能产生意境。如清代郑板桥所画的有些墨竹，虽然只有疏疏几枝，却叫人联想起一片雨后清新的境象。又如于非的“玉兰黄鹂”从那石青的底色上，会让人联想起广阔的境象，而有东方欲曙，黄莺相唤之感。",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2DC78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DC78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DC78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DC78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DC78S40415NOS.jpg",
                   "osize": {},
                   "title": "郑板桥《墨竹》",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2DD78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DD78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DD78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DD78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DD78S40415NOS.jpg",
                   "osize": {},
                   "title": "关山月、傅抱石《江山如此多娇》",
                   "note": "【近现代】意境更多的表达方式在作品的空间上，大家都十分熟悉的近现代画家傅抱石、关山月合作的“江山如此多娇”巨幅山水画。画中那层迭的雪山，茫茫的云海，碧绿的苍松，飞流的山泉，闪耀的红霞和初升的旭日，使人体会到有一种欣欣向上、气势雄壮的意境。还有留白这一技法，在中国画的意境中也体现地淋漓尽致。齐白石画虾，虾透明，无水，满纸水汽淋漓;徐悲鸿画马，马蹄飞驰，满屏风的速度。这都是中国画留白的效果，说了，但不说透，任你去遐想。",
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                }
            
                ,
                {
                   "id": "E9GHP2DE78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DE78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DE78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DE78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DE78S40415NOS.jpg",
                   "osize": {},
                   "title": "齐白石 虾",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2DF78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DF78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DF78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DF78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DF78S40415NOS.jpg",
                   "osize": {},
                   "title": "徐悲鸿 马",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2DG78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DG78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DG78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DG78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DG78S40415NOS.jpg",
                   "osize": {},
                   "title": "吴作人 金鱼",
                   "note": "",
                   "newsurl": "#"
                }
            
                ,
                {
                   "id": "E9GHP2DH78S40415NOS",
                   "img": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DH78S40415NOS.jpg",
                   "timg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DH78S40415NOS.jpg",
                   "simg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DH78S40415NOS.jpg",
                   "oimg": "http://pic-bucket.ws.126.net/photo/0415/2019-03-05/E9GHP2DH78S40415NOS.jpg",
                   "osize": {},
                   "title": "吴冠中",
                   "note": "▲吴冠中中国画的意境不仅只是情与景的融合，而且也是艺术家的思想、观念、理想和客观景物的融合。在欣赏中国画的时候，我们结合画家的个人经历，用心品味，这样才能进入画中世界，去感受画中所描绘的一景一物，去感受画家内心深处的情感世界，去领略人生之奥妙，这也是中国画意境的魅力所在!",
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                }
            
            ]
        }